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even the blue sky upper right has a hue of red in it.
That is correct. The 25c pheasant stamp is an example of a stamp that was issued with and without the "red" hue in the blue sky. Scott actually assigned the latter its own catalog number. A MNH complete booklet has a decent premium. Even though the latter were printed in large quantities, a lot of collectors didn't notice until it was too late. I remember my post office clerk telling me that the stamps were "different", but he couldn't seem to get any collectors in agree or buy them! Bet they wished they did now!
Thanks for your insights and pics, nitrolures and eaglebub7.
One thing to keep in mind, these are not recent stamps, but from the 1970s. I'm not sure they were printed primarily based on CMYK color mixing, although that process could be utilized. If it were primarily based on CMYK color mixing, then there would only be 4 plate numbers (for each CMYK color).
The Andreotti Press (photogravure) of that era could print up to 7 colors (in practice, 6 colors were used and one plate reserved for applying the taggant). If you look at the selvage markings on Andreotti Press stamps, you will notice that the colors are not necessarily CMYK, although these 4 colors were often included. Rather, the colors are the EXACT colors specified for the printing -- i.e., the ink is mixed prior to printing, rather than relying solely on the printing to "mix" the colors.
For example, on the 10c military uniforms setenant of 1975 there are multiple plates covering different "blue" colors. In the stamp showing the marine, there is a "blue" color for the ship in the background, and another different "blue" color for the Bicentennial emblem. You could apply CMYK to make those 2 different blue colors, but that's not what they did. They used two different plates for the 2 different "blue" colors. It is not the same "blue" ink and it is not just one "cyan" plate/ink.
If the Andreotti Press was used for CMYK mixing, then only 4 plate numbers would be needed. But the Andreotti Press stamps of that era often had 6 plate numbers representing 6 distinctly different colors. In practice, of course, the equivalent of CMYK color mixing did result. But I think there is a limit to how much CMYK process we can apply back to stamps printed during that era. Of course, I have limited understanding of CMYK, so I am open to correction and learning more.
I do appreciate you both talking about CMYK, because I quit studying the press types after the 1980s, which I think is right around the rise of CMYK in commercial printing. So your insights/info are very useful for me to understand stamps printed in the past 20 years.

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