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Well, I have every volume of scotts from last year. I have studied and know alot more than you think I know. I know reprints are not forgeries, and I new it would not hold the very same value but on this stamp is is still of of significant value. The stamps look authentic to me and I have taken them to two dealers.
You can't look to Scott catalogs for identifying reprints, fakes and forgeries. Also Scott does not provide values for THESE reprints because they were never valid for postal use, not having been produced by the Papal postal authority. Maybe they are worth something as curiosities or to stock someone's "fakes" library for use in identifying the legitimate originals, but I doubt its going to be much value.
But by all means send them in for identification if your research is inconclusive (as recommended on this board and in the VPS reference I gave you).
If you really did your research you would research what "reprint" means for this issue, for example, by reading the "REMAINDERS AND REPRINTS" section of the reference I gave you, which is:
http://vaticancitystamps.org/rs.htm...%20FORGERIESHere's an excerpt (highlights are mine):
"By November of 1870, shortly after the fall of Rome, the dies, plates, and cliches used to print the Papal stamps were sent to the director of posts in Florence, where a Signore Usigli somehow came into possession of them. In 1878 he made reprints of the 2c, 3c, 20c, 40c, and 80c. in colors resembling the original stamps. He also made other fancy printings of all the stamps in the same color. Usigli sold the cliches to Bonasi, who passed them on to Moens, Gelli, Tani, and Cohn, all of whom made reprints.
Usigli was the only one who kept the original continuous horizontal lines [Fig. 10] but his reprints can be distinguished from the originals by the color, paper, and gum. The reprints of other printers may be recognized by their horizontal dividing lines that interrupt the vertical and by their incorrect perforation (Gelli and Tani did print a very few copies accurately perfed 13, but the perforations on the reprints are cleaner and more well defined than on the originals.)
Ninety percent of the reprints will be detected by their perfs and/or their dividing lines. The others can be sent in for expertisation until one has had enough practice to make himself his own expert. In brief, the points to look for are these:
Originals will have irregular gum with tiny cracks; be printed on shiny to dull paper; conform to Bolaffi's color classifications; have very rough-looking perfs 13 or 13¼;
and exhibit horizontal, continuous dividing lines.
Reprints will have smooth, usually yellow gum; be printed on shiny paper; not conform to Bolaffi's color classifications; have regular looking perfs that are usually not 13;
and exhibit vertical, continuous dividing lines (except the Usigli reprints)."