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1st Issue Revenue Question

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Bedrock Of The Community
United States
10599 Posts
Posted 03/02/2023   12:09 pm  Show Profile Bookmark this reply Add revcollector to your friends list  Get a Link to this Reply

Quote:
but it seems like the thinner the paper is on revenues, the less 'tight' the details will be on the design.


Depends a lot on the color of the stamp in question. also, it all just depended on what day it was, which company had just delivered the paper, and what stamps happened to be printed that day. Once you get to about mid 1864, the paper thicknesses began to vary a great deal more, and after 1865 it could change a lot.
The reason that the scarce and rare part perfs and imperfs can be told in part by the paper is because few sheets were printed, and they were usually all done at the same time. So the shade, impression, and paper were all the same.
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Valued Member
Japan
385 Posts
Posted 03/06/2023   08:49 am  Show Profile Bookmark this reply Add Stephen-P to your friends list  Get a Link to this Reply
This is great to know, Bart! I currently have some questionable part-perfs, and it would be nice if I could validate their authenticity by the paper they're on.

Quote:
There are two moistures levels involved; that at the time of printing and what it might be at time of current measurement.
For example, a stamp printed with X% paper moisture level would be dimensionally different than one printed at Y% paper moisture level if they were both in the same environment at a later date and the paper in both stamps had then normalize to the surrounding RH.
Don


This went way over my head Don
I'm more of a hands-on type of learner..
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Valued Member
Japan
385 Posts
Posted 03/06/2023   09:06 am  Show Profile Bookmark this reply Add Stephen-P to your friends list  Get a Link to this Reply
I forgot about this other piece that I pulled from the same set but placed aside to study later... for obvious reasons.




It has the same "brown sandwich bag" type of paper and the same dimensions.
The ink is also the same hue of 'smoky blue', which also doesn't saturate into the paper surrounding the design.




The paper on all three looks crisp, as if it's how they were originally made.
Does anyone have any examples of paper and inking that look similar?
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