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Let's Not Throw Traditional Stamps In The Csac Dumpster

 
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Bedrock Of The Community
United States
12128 Posts
Posted 10/29/2014   5:45 pm  Show Profile Bookmark this topic Add wt1 to your friends list Get a Link to this Message
Some interesting insight from a retired member of the Citizens Stamp Advisory Committee (Cary R. Brick) as it appears in Linn's Stamp News:

http://linns.com/news/editorial-ins...SAC-dumpster
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Valued Member
United States
10 Posts
Posted 10/30/2014   01:29 am  Show Profile Bookmark this reply Add njnumis to your friends list  Get a Link to this Reply
Great story, thanks for posting the link!
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United States
364 Posts
Posted 10/30/2014   09:21 am  Show Profile Bookmark this reply Add knuppster59 to your friends list  Get a Link to this Reply
Yeah, I agree that a balance is key for the CSAC. I just can't believe all the butthurt from people regarding the Batman stamps! Was there this much outcry only a few years ago when the USPS printed the DC and Marvel sheets depicting 20 superheroes??
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United States
12330 Posts
Posted 10/30/2014   10:31 am  Show Profile Bookmark this reply Add 51studebaker to your friends list  Get a Link to this Reply
I don't think I fully understand the article's point. At first I thought it was that the 'postal customers' should have more influence in the selection of stamp subjects rather than the smaller subset of marketers. But then the author goes on to imply that the Made In America series was voted as the overall favorite stamp issue in Linn's. He also mentions coal miners as having some support for a coal mining subject. Are not coal miners and stamp collectors a subset of all 'postal customers'? Who can say for sure that these groups represent the 'postal customers' any more or less than a marketer? For example, I am sure that coal mining is considered a great topic in West Virginia but I am not as sure that it would be popular in a state like California.
Every subset of the 'postal customers' has their own ideas on what topics might be best suited. And of course the stamp subjects also have to meet certain political correctness criteria, the holiday issues being the obvious example.

Marketers targeting 'things that will sell' seems to me to be another way of saying 'we want subjects that appeal to the widest number of postal customers as possible'. So aside from perhaps inferring that the writer is advocating the polling of more postal customers in the post office, I guess I didn't understand the rest of the article.
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1589 Posts
Posted 10/30/2014   10:56 am  Show Profile Bookmark this reply Add blcjr to your friends list  Get a Link to this Reply

Quote:
So aside from perhaps inferring that the writer is advocating the polling of more postal customers in the post office, I guess I didn't understand the rest of the article.
I thought the point was pretty obvious: in the author's experience the CSAC is becoming (if not already) "unbalanced" in its approach to selecting stamp subjects. What is so hard to understand about:

Quote:
Do I object to the marketers positioning pop culture on stamps?

Heck no! I well understand and support the notion that there has to be a creative and artsy balance in stamp subjects.

I don't object to the Janis Joplin-style subjects, but I fear a creeping momentum to give back-seat treatment to traditional stamps that educate by telling the rest of the American story.

There is certainly room for beautiful art, pop culture and timely subjects, as well as the traditional subjects and those expected by the philatelic community.

To my disappointment, I watched many eyes roll when some educational, patriotic or historic subject was presented to the committee. Themes from the world of science and technology, for example, were met with sighs and "ughs."

Isn't that pretty clear?

The "inference" about polling to find out what customers want is not really the point of the article so much as it is a criticism of the fact that when such does not take place what we are left with is a committee that is imposing its tastes and preferences rather than the seeking to satisfy the tastes and preferences of a more diverse clientele. The author make it quite clear he has no objections to servicing those favor the more "pop culture" types of subjects. But what about more traditional subjects ("educational, patriotic, or historical") that tell "the rest of the American story?"

Seems to me that if I'm right, I've just made the author's point using his own words.

Basil
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